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Admission Tests GRE General Test Sample Questions:

1. When Flemish painter Anthony Van Dyck moved to England in 1632 to become court painter to Charles The introduced an entirely new way of representing dress in portraiture. In women's portraits. he left off fashionable accessories, depicted subjects in unbuttoned sleeves and collars, and added lavish drapery and jewels. For the first time an artist actively participated in dressing his subjects, creating an amalgam of fantasy and reality. While Van Dyck was most innovative when representing women, he used similar elements in portraits of men.
Van Dyck's Portrait of Thomas Killigrew and Willian. Lord Crofts (1638) demonstrates how the artist relaxed and unbuttoned men's dress to accord with an underlying theme. The double portrait may be seen as an essay in grief: Killigrew. a poet and playwright, had lost his wife Cecelia to the plague shortly before the sitting, and Crofts was her nephew. The painting contains clear references to the situation at hand. The background features a broken column, a traditional emblem of earthly transience. A drawing in Killigrew's right hand depicts two Itinerary monuments. Crofts holds a blank sheet of paper, seen by some scholars as an analog to the drawing Killigrew holds: a symbol of what is gone.
At historians have interpreted the clothing depicted in this portrait, particularly Crofts' doublet which is worn unbuttoned in back, as an allusion to the subjects' grief-stricken distraction. It is true that Killigrew's dress includes references to his loss-he wears a cross inscribed with his wife's initials. There is an intimate nature to this painting, which seems underscored by the loose clothing worn by both subjects. However, diis reading of the costumes as signs of grief does not take account of seventeenth-century fashion conventions. Only Killigrew appears in noticeably disheveled attire; Crofts" dress would be quite appropriate for a formal portrait. Though black clothing, such as that won by Crofil, was common for mourning, it was also ordinary on other occasions. Furthermore, during the first stage of mounting no shiny surfaces, such as Crofts' satin doublet, would be permitted. The unbuttoned slit on Crofts" doublet was probably a matter of style: a French courtier in a 1635 fashion print by Bosse. who is gallivanting rather than grieving, wears a similarly undone doublet. Evidence suggests that by the late 1630s a certain calculated looseness was conventional in men's formal dress. Ribeiro. for example, cites the writings of moralists objecting to this style.
Killigrew's attire, though even looser than Crofts", should not necessarily be associated with grief. Other seventeenth-century subjects depicted in melancholic states do not dress this way. Although Killigrew's
"undress" lends this portrait a distinctive intimacy, it might also refer to Killigrew's literary career. Many of Van Dyck's other subjects who engaged in literary pursuits are depicted in loose clothing. The blank sheet held by Crofts may be a reminder not only of Killigrew's loss but also of his solace: he had but to express his grief in writing.
The passage suggests which of the following about Van Dyck's portraits of men?

A) They included fewer fashionable accessories than did his portraits of women.
B) They did not usually include loose or disheveled clothing
C) They gave less attention to men's clothing than did most paintings of the time.
D) They frequently depicted subjects in states of melancholy or mounting.
E) They were less innovative than were his portraits of women.

2.
For each integer ;; greater than I. the sum of the first a positive integers is given by the formula shown.
If the average (arithmetic mean) of the first // positive integers is k. what is the sum of the first n positive integers in terms of k ?
A)

B)

C)

D)

E)

A) Option B
B) Option E
C) Option C
D) Option D
E) Option A

3. The highly dispersed nature of Panzaleo pottery throughout present-day Ecuador has led archaeologists to speculate about the pottery's origins and significance. Jijon y Caamano attributed the pottery's distribution to trade, and based on the large quantities of pottery recovered in the Ambato-Latacunga region of the central Ecuadorian highlands, he proposed that region as the probable locus of production. However. Porras suggests that inhabitants of the subtropical eastern Andean slopes, or montaria. were the original producers of Panzaleo.
Ponas" theory involves the forced migration of the montaria population from then homeland in the Quijos River valley into the Ecuadorian highlands. The gradual exodus and ensuing dispersal of the makers of this ware could account for the diffuse distribution of the materials.
It can be inferred from the passage that Jijon y Caamano would probably agree with which of the following statements about the distribution of Panzaleo pottery throughout Ecuador?

A) This distribution was largely limited to the Ambato-Latacunga region.
B) This distribution could not have occurred without the forced migration of certain peoples
C) This distribution originally took place over a relatively short period of time.
D) This distribution indicates that the Ambato-Latacunga region was known primarily as a trading center
E) This distribution is not primarily the result of the relocation of the original makers of the pottery

4. In the xy-plane, line K passes through points (-2. 6) and (4.3). What is the y -intercept of line K ?

A) 5.2
B) 4.0
C) 5.0
D) 4.5
E) 5.5

5. What accounts for the low-lying. Hat surface of Mars's north? On Earth's surface, higher- and lower-lying areas have different types of onest: one. thin and dense, is pulled toward Earth's center more strongly by gravity, and the planet's water naturally comes to sit over it. creating oceans. The processes that generate this oceanic crust drive plate tectonics.
Is Mars's north similarly characterized by a sort of crust different from other areas of the planet? Some researchers do see signs of tectonic activity surrounding the northern basin that suggest that it was created through the formation of new crust, like ocean basins on Earth. However. McGill points to northern bedrock structures that predate the features said to mark the start of the tectonic process. McGill instead believes that through some novel mechanism the ancient surface sank to its current depth as a single unit. This would explain why features around the basin's edge. which would have formed as the surface dropped, seem to be younger than structures at its floor.
The third possibility is that the northern lowlands result from impacts. Some researchers suggest they formed as a series of big overlapping impact craters. Others, arguing that the odds against such a pattern of impacts are large, postulate a single event-the impact of an object bigger than any asteroid the solar system now contains.
The passage implies that McGill points to certain "northern bedrock Structures? in order to

A) contrast the geological characteristics of the northern basin with the characteristics of the terrain at its rim
B) question the role of impacts in the formation of Mars's surface features
C) argue that their elevation now must be lower than it was at the time the structures formed
D) dispute the idea that the northern basin of Mars was formed by the creation of new crust
E) establish the maximum and minimum bounds for the age of the northern basin of Mars

Solutions: